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Their graphic quality is enhanced by an acid palette that recalls the Zinkeisen sisters’ work around the same time
London Docks were the heart of the capital pumping goods and people to and from the Empire and the view of that stretch of the river leading up to Tower Bridge would have been familiar to all Londoners
I’m not sure if this is a portrait from life or Levenson’s imagined ideal
When the Thames was a working river
Snow, Queenscairn Hill II show_depth Their graphic quality is enhancedMedium details: Oil and pencil on paper and board
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